Cheng Keng graduated from Royal Central School of Speech and Drama Scenography MFA. He is an artist/designer in performance art originally from Taiwan and based in London currently. He works with set, lighting and video to build the visual narrative and dramaturgy. Since 2015, He has designed and created works in contemporary performance, opera, experimental theatre, devising performance and online exhibition.

Theatre credits include: Bungalow(Theatre 503), Riders To the sea(MAST); The Light Princess(The ARC); Going for Gold(Park Theatre); The Lonesome Death of Eng Bunker(Omnibus); Frankenstein and Rain Weaver(Both Cockpit); Grud(Hampstead Theatre); Grills(CPT); Project Atom Boi and So That You May Go Beyond The Sea(All CPT); 1884(Shoreditch Town Hall); The Littlest Yak(Marlowe studio); Chriskirkpatrickmas(Seven Dials Playhouse); Tiger(Omnibus); 555: Verlaine En Prison; Double Bill At the statue of Venus and La Voix Humaine (Arcola); 1984(The Cockpit); Let Your Hands Sing In The Silence(Marlowe Theatre); These Words That'll Linger Like Ghosts Till The Day I Drop Down Dead(The Pleasance); The Retreat and Pennyroyal(Both Finborough); The Zone(Taoyuan art centre); Sankofa: Before the whitewash(Roundhouse); Beauty and the 7 Beasts(Brixton Jamm); Borders(Drayton Arms Theatre); Blue Island 99(International Dublin Gay Theatre Festival) and Hello World(National Taichung Theatre, Taiwan). ​

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Assistant lighting desginer credit includes: The Human Body(Donmar Warehouse).