Ben Brantley, The New York Times Tue, 2010-09-28 01:00
The production’s unflaggingly inventive design team — Neil Murray (set and costumes), Malcolm Rippeth (lighting), Simon Baker (sound) and Jon Driscoll and Gemma Carrington (projections) — doesn’t just conjure up different locations with witty efficiency. It also subtly conveys the transformative, dissociative nature of passion,
