Lucy Powell, Time Out Sat, 2002-05-18 01:00

The plays unforgiving marriage of the fantastical and the political is beautifully executed, thanks largely to Richard Williamson's lighting and Jim Bywater's nerve-jangling sound design. But the real witching-hour of this production arrives when Macbeth and his lady begin to see in one another the mirror of their own misfortunes, as Shepherd and Boxer fully exploit the forceful intimacy of the Fringe.