Lizzie trained at LAMDA. Some lighting credits include: Any Given Day, The Dark Things ( Traverse Theatre ); The Debuts season, Rupture (Traverse Theatre & National Theatre of Scotland). Huxley’s Lab ( Grid Iron); Treasure Island ( Wee Stories );Transform Glasgow, Transform Orkney, Mary Queen of Scots Got Her Head Chopped Off, Our Teacher’s a Troll, Rupture, Venus as a Boy, The Recovery Position, (National Theatre of Scotland); First You’re Born (Plutôt la Vie); Pobby & Dingan and The Book of Beasts (Catherine Wheels); Under Milk Wood (Theatre Royal, Northampton); The Death of Harry, Making History ( Ouroborous Productions, Dublin); The Wasp Factory,(Cumbernauld Theatre); The Wall (Borderline Theatre); Second City Trilogy; (Cork Opera House); Smallone, Romeo & Juliet, This Ebony Bird, Tricky (Blood In The Alley Productions); Drenched (Boiler House Productions); The Night Shift (Fuel Productions). Lizzie was an assistant to Rick Fisher on the first production of Billy Elliot in London. She is also a director of Blood In The Alley Productions.