Robert Hugill, Planet Hugill Wed, 2013-05-08 01:00

The orchestra play standing up and Thomas's lighting placed them in higher relief than usual, with the lighting changing to concentrate on the small group of players who performed the Couperin movements. Kunhardt conducted the Ravel from memory, and the Couperin was played as chamber music without a conductor. The movements flowed seamlessly from one to another to form a fascinating whole.