Michael Coveney, Whatsonstage.com Thu, 2013-05-09 01:00
Colin Richmond's design of a remote and uninhabited country shack, adorned with a forlorn crucifix and rudimentary furniture, is beautifully lit by Charlie Lucas, so that McGuinness' eleven slabs of narrative acquire a sort of religious significance, like Stations of the Cross on the way to Sal's Calvary of brimstone and sulphur.
