Timothy Ramsden, Reviewsgate Sun, 2005-09-18 01:00

But Gaude's hitting on a wider connection, the impulses to order and disorder, and the mix of creative and destructive in them. With Porter's performance catching the intelligent ordering of experience vocally and Onysos' violent potential in movement, Charlotte Damigos' set creating an underworld with the sense of dark tunnels around, <B>aided by Richard Williamson's localised lighting</B>, the production by Severine Ruset is alert to the script's mix of immediacy and recall from distant times.