Venue:
Yes
Choreographer:
Set designer:
Costume designer:
Dates:
18/10/2012 to 28/02/2015
Show type:
Press quotes
This theme is further enhanced with the intimate stage set-up where set designer Phill Eddolls and lighting designer Malcolm Rippeth use single colours such as twinkling purple lights or the perfunctory shade of red on the tips of the rampion to provide powerful tugs on the senses.
Tiffany Pritchard, londonist.com 31/03/2013
There is also a wonderful use of silhouette and shadow throughout, which creates powerful images, and is aesthetically stunning
James Moore, sosogay.com 30/03/2013
...the sets and lighting were quite extraordinarily lovely. Phil Eddolls’s art nouveau gates morphed smoothly from park to prison and Malcolm Rippeth’s lighting created a ravishing Lotte Reiniger-style shadowplay – Rapunzel’s terrifying first haircut was the stuff of the very best nightmares.
Louise Levene, The Sunday Telegraph 07/04/2013
... there were loads of similarly haunting theatrical images, often facilitated by the leafy iron gates of Phil Eddolls’ sets and the lurking shadows of Malcolm Rippeth’s lighting design...
Jeffrey Gordon baker, londondance.com 03/04/2013