Photograph from 946 - lighting design by Malcolm Rippeth
Ncuti Gatwa as Adi and Nandi Bhebhe as Harry | Photographer: Steve Tanner
Photograph from 946 - lighting design by Malcolm Rippeth
Katy Owen as Lily | Photographer: Steve Tanner
Photograph from 946 - lighting design by Malcolm Rippeth
Ncuti Gatwa as Adi and Nandi Bhebhe as Harry | Photographer: Steve Tanner
Photograph from 946 - lighting design by Malcolm Rippeth
Ncuti Gatwa as Adi and Nandi Bhebhe as Harry | Photographer: Steve Tanner
Photograph from 946 - lighting design by Malcolm Rippeth
Katy Owen as Lily | Photographer: Steve Tanner

946

by
with Malcolm Rippeth as Lighting Designer

Company:

Director:

Set designer:

Dates: 
25/07/2015 to 23/08/2015

Show type:

Production photographs

Photograph from 946 - lighting design by Malcolm Rippeth
Photograph from 946 - lighting design by Malcolm Rippeth
Photograph from 946 - lighting design by Malcolm Rippeth
Photograph from 946 - lighting design by Malcolm Rippeth
Photograph from 946 - lighting design by Malcolm Rippeth
Photograph from 946 - lighting design by Malcolm Rippeth
Photograph from 946 - lighting design by Malcolm Rippeth
Photograph from 946 - lighting design by Malcolm Rippeth
Photograph from 946 - lighting design by Malcolm Rippeth
Photograph from 946 - lighting design by Malcolm Rippeth

Press quotes

Lez Brotherston’s set is wondrous, with its aircraft propeller, huge slatted skies, galvanised troughs, and tractor. With Malcolm Rippeth’s dramatic lighting, the effects are atmospheric and intense, heightening the show’s unnerving ability to slip under the wire of our conscious selves.
Francesca Morrison, The Stage 31/07/2015
Hats off to Lez Brotherton's spare but effective design (sandbags, tractor and a propeller evoking time and place) and Malcolm Rippeth's lighting, particularly stunning during the play's true lump-in-throat moment when a soldier drowns.
Lee Trewhela, Cornish Guardian 06/08/2015