Aideen Malone

Aideen trained in drama and theatre in Trinity College Dublin and Goldsmiths University of London. She works extensively in theatre, dance and opera.  

Theatre credits include: Kyoto (RSC/Soho Place);  Twelfth Night (Regents Park Open Air Theatre); Dracula (National Theatre Scotland); Tess of the d’Ubervilles (Peacock Theatre);  Lemons Lemons Lemons Lemons Lemons (Pinter Theatre);  You Bury Me (Bristol Old Vic); Duet For One (Orange Tree);  The Clothes They Stood Up In (Nottingham Playhouse);  Wonder Boy (Bristol Old Vic); Running With Lions (Lyric Hammersmith);  Hamlet (Young Vic); Old Bridge (Bush Theatre);  A Kind Of People (Royal Court); Death of a Salesman (Young Vic & Piccadilly Theatre);  A Monster Calls (Old Vic / Bristol Old Vic / Parco Japan); Brighton Rock (York Theatre Royal); La Strada (The Other Palace); Jane Eyre & Peter Pan (National Theatre & Bristol Old Vic); Hetty Feather (Duke of York); A Raisin in the Sun (Sheffield Theatre).

Musical credits include:  Into The Woods (The Bridge); Fiddler On The Roof (also Barbican), Carousel (Regents Park Open Air Theatre); Fifty First Dates (The Other Palace);  Talent (Sheffield Theatre); Now Is Good (Storyhouse); Worst Witch (Vaudeville).

Dance credits include: Outwitting The Devil and Kaash (Akram Kahn Co); Darbar Festival (Sadlers Wells); Unkindest Cut (Sadhana); Time Over Distance Over Time (Liz Roche); La Tete (Jasmin Vardimon).

Opera credits include: Ariodante, Turn of the Screw, The Marriage of Figaro, A Midsummers Night’s Dream, Mary Queen of Scots, Cosi Fan Tutte, Jenufa and Tosca (English Touring Opera).

Architectural credits include: Sadlers Wells East Foyer.

Olivier nomination 2025 for Best Lighting Design (Fiddler on the Roof). Profile Award Honorable Mention 2024 for Dracula Mina’s Reckoning. Knights of Illumination nomination 2019 for Best Lighting Design (Death of A Salesman).