Simon Hayes
Biography
Simon is a Scottish based theatre lighting designer who has worked with a variety of companies including The National Theatre of Scotland, Royal Lyceum Theatre Edinburgh, Tron Theatre, The Citizens Theatre, Beacon Arts, Snap Elastic, The Royal Conservatoire of Scotland, Edinburgh International Festival, Dandelion Festival, Jordan and Skinner and Glass Performance.
Originally from Lincolnshire, Simon has been in Scotland for 20 years after heading North to study Technical Theatre Production at Queen Margaret University College’s Gateway Theatre. He lives outside Edinburgh in the East Lothian Countryside with his partner, two children and Cosmo the dog.
Credits include: Dear Billy (National Theatre of Scotland); Moonset (The Citizens Theatre); The Time Machine (Jordan & Skinner); Eat Me (Snap Elastic); Pride & Prejudice *Sort of (Royal Lyceum Theatre); Shift (National Theatre of Scotland); Motherf***er with the Hat (Tron Theatre);
Simon is also creates large scale site responsive lighting design, immersive light art and show pieces. Simon has been involved in projects across the UK from rooftops to woodlands, harbours to museums on projects specialising in blurring the lines between different creative media. Previous projects include the Royal Botanical Gardens Kew and Edinburgh, Blenheim Palace, RHS Wisley and My Light Shines On for the Edinburgh International Festival. Please see www.simonhayesdesign.co.uk for more information.
Simon enjoys collaborating with artists to produce thought provoking, stimulating and evocative designs (as well as the occasional bit of joy and silliness...)
Specialisms
- Lectures
- Workshops
- Training
Previous productions
| Show name | Type | Venue/Company | Role | Creative Team | Opened | |
|---|---|---|---|---|---|---|
| Dear Billy | Theatre | National Theatre of Scotland | Lighting Designer | Lighting designer: Simon Hayes & Kate Bonney Director: Joe Douglas Set designer: Claire Halloran |
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| Moonset | Theatre | Tron Theatre, Glasgow, then touring Citizens Theatre |
Lighting Designer |
Director: Joanna Bowman Set designer: Jen McGinley |
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| 8 Songs for a Mad King | Opera | Cottiers Theatre, Glasgow Royal Conservatoire of Scotland |
Lighting Designer |
Director: Mark Hathaway Set designer: Megan Adair & Erin Dougherty |
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| Pride & Prejudice* (*Sort of) | Theatre | Bristol Old Vic, then touring Edinburgh Royal Lyceum |
Lighting Designer |
Director: Paul Brotherston Set designer: Ana Inés Jabares Pita |
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| A Brief History of the Fragile Male Ego | Theatre | Pleasance, then touring Jordan & Skinner |
Lighting Designer |
Director: Caitlin Skinner |
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| Pride & Prejudice* (*Sort of) | Theatre | Tron Theatre, Glasgow Blood of the Young |
Lighting Designer |
Director: Paul Brotherston Set designer: Ann Ines Jabares-Pita |
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| Shift | Theatre | Summerlee Heritage Centre, Coatbridge National Theatre of Scotland |
Lighting Designer |
Director: Simon Sharky Set designer: Becky Minto |
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| Mother F**ker with the Hat | Theatre | Tron Theatre, Glasgow Tron Theatre Company |
Lighting Designer |
Director: Andy Arnold Set designer: Kenny Miller |
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| WOke | Theatre | Guilded Balloon, then touring | Lighting Designer |
Director: Caitlin Skinner |
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| Is this a Dagger | Theatre | Red Bridge Arts | Lighting Designer |
Director: Andy Cannon |
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| At a Stretch | Theatre | Scottish Storytelling Centre, then touring Jordan & Skinner |
Lighting Designer |
Director: Caitlin Skinner Set designer: Alice Wilson |
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| Daphne Oram's Wonderful World of Sound | Theatre | Tron Theatre, Glasgow, then touring Blood of the Young |
Lighting Designer |
Director: Paul Brotherston Set designer: Ana Inés Jabares Pita |
||
| Henry IV | Theatre | Chandler Studio, Glasgow Baird in the Botanics |
Lighting Designer |
Director: Gordon Barr Set designer: Carys Hobbs |
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| A Midsummer Night's Dream | Theatre | Chander Studio, Glasgow Baird in the Botanics |
Lighting Designer |
Director: Hugh Hodgart Set designer: Carys Hobbs |
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| The Man Who Followed His Legs and Kept on Walking | Theatre | Wee Stories | Lighting Designer |
Director: Iain Johnstone Set designer: Claire Halleran |
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| Expensive S**t | Theatre | Traverse Theatre, Edinburgh, then touring Made in Scotland |
Lighting Designer |
Director: Adura Onashile Set designer: Karen Tennant |
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| Blackout | Theatre | Changing House, Tron Theatre, Glasgow, then touring New Room Theatre |
Lighting Designer |
Director: Paul Brotherston |
||
| Eat Me | Theatre | Changing House, Tron Theatre, Glasgow Tron Lab |
Lighting Designer |
Director: Eszter Marsalk |
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| Much Ado about Nothing | Theatre | Chandler Studio, Glasgow Baird in the Botanics |
Lighting Designer |
Director: Jennifer Dick Set designer: Carys Hobbs |
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| Hamlet | Theatre | Chandler Studio, Glasgow Baird in the Botanics |
Lighting Designer |
Director: Gordon Barr Set designer: Carys Hobbs |
||
| Greater Belfast | Theatre | Changing House, Tron Theatre, Glasgow, then touring Little King |
Lighting Designer |
Director: Claire Willoughby |
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| Electric Glen | Environmental | Rouken Glan Park East Renfrewshine Council |
Associate Lighting Designer | Lighting designer: Phil Supple |
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| Aladdin | Theatre | Howden Park Centre, Livingston Plutot la Vie |
Lighting Designer |
Director: Tim Licata Set designer: Francis Gallop |
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| Dick McWhitington | Theatre | New Athenaeum Theatre, Glasgow Royal Conservatoire of Scotland |
Lighting Designer |
Director: Alasdair Hawthorn Set designer: Robin Peoples |
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| Lovers | Theatre | Cumbernauld Theatre Cumbernauld Theatre |
Lighting Designer |
Director: Tony Cownie |
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| What Goes Around | Theatre | Cumbernauld Theatre, then touring Cumbernauld Theatre |
Lighting Designer |
Director: Tony Cownie Set designer: Neil Murray |
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| A Gamblers Guide to Dying | Theatre | Traverse Theatre, Edinburgh, then touring Show & Tell |
Lighting Designer |
Director: Gareth Nicholls |
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| Jekyll and Hyde | Theatre | Traverse Theatre, Edinburgh, then touring Lung Ha's Theatre Company |
Lighting Designer |
Director: Caitlin Skinner Set designer: Becky Minto |
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| Les Mamelles de Tirésias | Opera | Agos Studio, Glasgow Royal Conservatoire of Scotland |
Lighting Designer |
Director: Mark Hathaway |
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| Dido and Aeneas | Opera | Agos Studio, Glasgow Royal Conservatoire of Scotland |
Lighting Designer |
Director: Mark Hathaway |
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| Mother Goose | Theatre | New Athenaeum Theatre, Glasgow Royal Conservatoire of Scotland |
Lighting Designer |
Director: Alasdair Hawthorn Set designer: Robin Peoples |
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| Jack & The Beanstalk | Theatre | The Brunton Theatre, Musselburgh The Brunton Theatre |
Lighting Designer |
Director: Mark Cox Set designer: Robin Peoples |
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| Cardinal Sinne | Theatre | Tron Theatre, Glasgow Glasgay! |
Lighting Designer |
Director: Grant Smeaton Set designer: Veronica Rennie |
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| Sanitise | Theatre | Underbelly, Edinburgh, then touring Jordan & Skinner |
Lighting Designer |
Director: Caitlin Skinner Set designer: Alice Wilson |
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| The Tin Forest - South West | Theatre | Site Specific | Lighting Designer |
Director: Gareth Nicholls & Pete Collins Set designer: Claire Halleran |
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| Ghost Peleton | Environmental | Site Specific, Leeds NVA |
Production Electrician | Lighting designer: Phil Supple Director: Angus Farquhar |
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| The Tin Forest Springburn | Theatre | Springburn, Glasgow National Theatre of Scotland |
Lighting Designer |
Director: Philippa Tomlin |
||
| Hebrides Ensemble | Concert | The Sage, Gateshead, then touring Hebrides Ensemble |
Lighting Designer | |||
| Into the New | Theatre | The Arches, Glasgow Royal Conservatoire of Scotland |
Lighting Designer | |||
| Sleeping Beauty | Theatre | The Brunton Theatre, Musselburgh The Brunton Theatre |
Lighting Designer |
Director: Tim Licata Set designer: Francis Gallop |
||
| The Beaux Stratagem | Theatre | Chandler Studio Theatre Royal Conservatoire of Scotland |
Lighting Designer |
Director: Robert Carson Set designer: Isaac Wilcox |
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| The Enchanted Forest - Absorb | Theatre | Faskally Woods, Pitlochry EFCT |
Lighting Designer | Lighting designer: Kate Bonney |
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| Woman Beware Woman | Theatre | Agos Studio, Glasgow Royal Conservatoire of Scotland |
Lighting Designer |
Director: Gordon Barr Set designer: Hazel Blue |
||
| All's Well that ends well | Theatre | Agos Studio, Glasgow Royal Conservatoire of Scotland |
Lighting Designer |
Director: Bill Wright Set designer: Hazel Blue |
||
| Bullet Catch | Theatre | The Arches, Glasgow, then touring The Arches |
Lighting Designer |
Director: David Overend Set designer: Francis Gallop |
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| Comedy of Errors | Theatre | Chandler Studio, Glasgow Royal Conservatoire of Scotland |
Lighting Designer |
Director: Pete Collins |
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| Into the New | Theatre | The Arches, Glasgow | Lighting Designer | |||
| Snow White | Theatre | The Byre, St. Andrews Baird in the Botanics |
Lighting Designer |
Director: Gordon Barr Set designer: Carys Hobbs |
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| The Importance of Being Ernest | Theatre | Chandler Studio Theatre Royal Conservatoire of Scotland |
Lighting Designer |
Director: Robert Carson Set designer: Cassie Pettigrew |
||
| Para Handy | Theatre | Eden Court Theatre, Inverness, then touring Eden Court and Open Book |
Lighting Designer |
Director: John Bett Set designer: Annette Gillies |
| Contact method | Details |
|---|---|
| Email address | simon@simonhayesdesign.co.uk |