| Show name | ALD Member | Type | Venue/Company | Creative Team | Opens | |
|---|---|---|---|---|---|---|
| Punch | Stanley Olden | Theatre | Nottingham Playhouse and Touring, then touring | Lighting designer: Robbie Butler Director: Adam Penford Set designer: Anna Fleischle |
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| When We Are Married | Harriet White | Theatre | Donmar Warehouse | Lighting designer: Ryan Day Director: Tim Sheader Set designer: Peter McKintosh |
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| Punch | Stanley Olden | Theatre | Apollo Theatre, West End | Lighting designer: Robbie Butler Director: Adam Penford Set designer: Anna Fleischle |
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| Punch | Stanley Olden | Theatre | Young Vic | Lighting designer: Robbie Butler Director: Adam Penford Set designer: Anna Fleischle |
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| What We Talk About When We Talk About Anne Frank [ Revival ] | Jacob Gowler | Theatre | The Marylebone Theatre Wild Yak |
Lighting designer: Sally Ferguson Director: Patrick Marber Set designer: Anna Fleischle |
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| Punch | Stanley Olden | Theatre | Nottingham Playhouse | Lighting designer: Robbie Butler Director: Adam Penford Set designer: Anna Fleischle |
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| The Forest | Sam Waddington | Theatre | Hampstead Theatre Hampstead Theatre |
Lighting designer: Hugh Vanstone Director: Jonathan Kent Set designer: Anna Fleischle |
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| Hamlet: Best Seat In Your House Broadcast | Catja Hamilton | Theatre | Young Vic & online | Lighting designer: Aideen Malone Director: Greg Hersov Set designer: Anna Fleischle |
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| Hamlet | Nina Dunn | Theatre | The Young Vic | Lighting designer: Aideen Malone Director: Greg Hersov Set designer: Anna Fleischle |
