| Show name | ALD Member | Type | Venue/Company | Creative Team | Opens | |
|---|---|---|---|---|---|---|
| The Land of Might Have Been | Jacob Gowler | Musical | Buxton Opera Festival then Theatre Royal Norwich, then touring Buxton International Festival |
Lighting designer: Jake Wiltshire Director: Kimberley Sykes Set designer: Nicky Shaw |
||
| The Land of Might Have Been | Jacob Gowler | Musical | Buxton Opera Festival then Theatre Royal Norwich, then touring Buxton International Festival |
Lighting designer: Jake Wiltshire Director: Kimberley Sykes Set designer: Nicky Shaw |
||
| Bloody Difficult Women | Jacob Gowler | Theatre | Studio 3,Riverside Studios, Hammersmith Cahoots Theatre Company |
Lighting designer: David Howe Director: Stephen Unwin Set designer: Nicky Shaw |
||
| La Cenerentola | Matt Haskins | Opera | Bord Gáis Energy Theatre Irish National Opera |
Director: Orpha Phelan Set designer: Nicky Shaw |
||
| The Enchanted Island | Jacob Gowler | Opera | The Peacock Theatre, London British Youth Opera |
Lighting designer: Mark Jonathan Director: Stuart Barker Set designer: Nicky Shaw |
||
| Madama Butterfly | Mark Jonathan | Opera | Glyndebourne Glyndebourne |
Director: Annilese Miskimmon Set designer: Nicky Shaw |
||
| Semele | Mark Jonathan | Opera | Worsley Garsington Opera |
Lighting designer: Mark Jonathan Director: Annilese Miskimmon Set designer: Nicky Shaw |
||
| Dead Man Walking | Mark Jonathan | Opera | Royal Danish Opera, Copenhagen Royal Danish Opera |
Lighting designer: Mark Jonathan Director: Orpha Phelan Set designer: Nicky Shaw |
||
| Madama Butterfly | Mark Jonathan | Opera | Glyndebourne, then touring Glyndebourne |
Director: Annilese Miskimmon Set designer: Nicky Shaw |
