| Show name | ALD Member | Type | Venue/Company | Creative Team | Opens | |
|---|---|---|---|---|---|---|
| Hamlet | James Goodall | Theatre | Hall For Cornwall, Truro, then touring Royal Shakespeare Company (RSC) |
Lighting designer: Jack Knowles Director: Rupert Goold Set designer: Es Devlin |
||
| The Shark is Broken | Nina Dunn | Theatre | Ambassadors Theatre London Sonia Friedman Productions |
Lighting designer: Jon Clark Director: Guy Masterson |
||
| Hamlet | Zoe Spurr | Theatre | Theatre Royal Windsor Bill Kenwright Ltd |
Director: Sean Mathias Set designer: Lee Newby |
||
| Afterplay | Malcolm Rippeth | Theatre | The Coronet Theatre |
Director: John Haidar Set designer: Lucy Osborne |
||
| No Man's Land | Nina Dunn | Theatre | Wyndham's Theatre Playful Productions |
Lighting designer: Peter Kaczorowski Director: Sean Mathias Set designer: Stephen Brimson Lewis |
||
| Decade | Malcolm Rippeth | Theatre | Commodity Quay, St. Katharine Docks Headlong Theatre |
Director: Rupert Goold Set designer: Miriam Buether |
||
| Six Characters in Search of an Author | Malcolm Rippeth | Theatre | Bristol Old Vic, then touring Headlong |
Director: Rupert Goold Set designer: Miriam Buether |
||
| Six Characters in Search of an Author | Malcolm Rippeth | Theatre | Gielgud Theatre Headlong |
Director: Rupert Goold Set designer: Miriam Buether |
||
| Faustus | Malcolm Rippeth | Theatre | Southampton Nuffield, then touring Headlong |
Director: Rupert Goold Set designer: Laura Hopkins |
||
| The Imposter | Katharine Williams | Theatre | Watford Palace Theatre, then touring Hoipolloi |
Director: Shôn Dale-Jones Set designer: Stefanie Muller |
