| Show name | ALD Member | Type | Venue/Company | Creative Team | Opens | |
|---|---|---|---|---|---|---|
| 1984 | Will Burgher | Theatre | Theatre Royal Bath, then touring Theatre Royal Bath Productions |
Lighting designer: Paul Pyant Director: Lindsay Posner Set designer: Justin Nardella |
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| Portia Coughlan | Guy Hoare | Theatre | Almeida Theatre Almeida |
Director: Carrie Cracknell Set designer: Alex Eales |
||
| The Vortex | Zoe Spurr | Theatre | Chichester Festival Theatre |
Director: Daniel Raggett Set designer: Joanna Scotcher |
||
| Sons of the Prophet | Luca Panetta | Theatre | Hampstead Theatre Hampstead Theatre |
Lighting designer: Jack Knowles Director: Bijan Sheibani Set designer: Samal Blak |
||
| The Contingency Plan | Guy Hoare | Theatre | Sheffield Crucible Theatre |
Director: Chelsea Walker & Caroline Steinbeis Set designer: Georgia Lowe |
||
| Cat on a Hot Tin Roof | Joshua Gadsby | Theatre | Curve Theatre, Everyman & Playhouse, then touring English Touring Theatre |
Director: Anthony Almedia Set designer: Rosana Vize |
||
| Faustus: That Damned Woman | Ryan Joseph Stafford | Theatre | Lyric Hammersmith, then touring Headlong |
Lighting designer: Richard Howell Director: Caroline Byrne Set designer: Ana Inés Jabares Pita |
||
| Equus | Jessica Hung Han Yun | Theatre | Theatre Royal Stratford East, then touring English Touring Theatre & Theatre Royal Stratford |
Director: Ned Bennett Set designer: Georgia Lowe |
||
| Loose Lips | Zoe Spurr | Theatre | Stoke Newington Town Hall The Big House |
Director: Sammy Glover Set designer: Frankie Bradshaw |
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| The Importance of Being Earnest | Alan Valentine | Theatre | Guildford Yvonne Arnaud, then touring Original Theatre |
Director: Alastair Whatley Set designer: Gabriella Slade |
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| Disco Pigs | Elliot Griggs | Theatre | Mainstage, Irish Rep, New York City Tara Finney Productions |
Director: John Haidar Set designer: Richard Kent |
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| Wait Until Dark | Chris Withers | Theatre | Devonshire Park Theatre, Eastbourne, then touring Original Theatre Company |
Director: Alastair Whatley Set designer: David Woodhead |
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| Disco Pigs | Elliot Griggs | Theatre | Trafalgar Studios Tara Finney Productions |
Director: John Haidar Set designer: Richard Kent |
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| Death of a Salesman | Matt Haskins | Theatre | Northampton Royal & Derngate |
Director: Abigail Graham Set designer: Georgia Lowe |
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| The Sugar-Coated Bullets of The Borgeoisie | Elliot Griggs | Theatre | Arcola Theatre HighTide |
Director: Steven Atkinson Set designer: Lily Arnold |
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| Yen | Elliot Griggs | Theatre | Jerwood Theatre Upstairs, Royal Court Manchester Royal Exchange / Royal Court |
Director: Ned Bennett Set designer: Georgia Lowe |
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| Pomona | Elliot Griggs | Theatre | National Theatre, then touring Orange Tree Theatre Production |
Director: Ned Bennett Set designer: Georgia Lowe |
||
| Defect | Elliot Griggs | Musical | ALWF Theatre, Arts Ed Arts Educational Schools |
Director: Ned Bennett Set designer: Georgia Lowe |
||
| Yen | Elliot Griggs | Theatre | The Studio, Royal Exchange, Manchester Royal Exchange |
Director: Ned Bennett Set designer: Georgia Lowe |
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| Pomona | Elliot Griggs | Theatre | Orange Tree Theatre Orange Tree Theatre Productions |
Director: Ned Bennett Set designer: Georgia Lowe |
||
| Superior Donuts | Marec Joyce | Theatre | Southwark Playhouse |
Director: Ned Bennett Set designer: Fly Davis |
||
| Three Men in a Boat | Alan Valentine | Theatre | Yvonne Arnaud, Guildford, then touring Original Theatre Company |
Director: Alastair Whatley & Craig Gilbert Set designer: Victoria Spearing |
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| Out There | Alan Valentine | Musical | Riverside Studios Youth Music Theatre UK |
Director: Steven Dexter |
