| Show name | ALD Member | Type | Venue/Company | Creative Team | Opens | |
|---|---|---|---|---|---|---|
| Imposter 22 | Stanley Olden | Theatre | Royal Court Jerwood Theatre Downstairs | Lighting designer: Anna Watson Director: Hamish Pirie Set designer: Cai Dyfan |
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| Who Killed My Father | Joshua Gadsby | Theatre | Cumbernauld Theatre, then touring Surrogate Productions |
Director: Nora Wardell Set designer: Blythe Brett and Hazel Low |
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| Who Killed My Father | Joshua Gadsby | Theatre | The Tron, Glasgow Surragate Productions |
Director: Nora Wardell Set designer: Blythe Brett and Hazel Low |
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| As British As A Watermelon | Phil Buckley | Theatre | Switchflicker Productions | Lighting designer: Phil Buckley Set designer: Michael Hankin |
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| Changing Destiny | Jason Addison | Theatre | Young Vic Young Vic |
Lighting designer: Jackie Shemesh Director: Kwame Kwei-Armah Set designer: Sir David Adjaye and Adjaye Associates |
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| Animal Farm | Zoe Spurr | Theatre | NYT Theatre, then touring National Youth Theatre |
Director: Ed Stamboullion Set designer: Jasmine Swan |
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| Othello | Zoe Spurr | Theatre | NYT Studio, then touring National Youth Theatre |
Director: Miranda Cromwell Set designer: Rose Revitt |
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| Fairview | Jessica Hung Han Yun | Theatre | The Young Vic |
Director: Nadia Latif Set designer: Tom Scutt |
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| Ivan and the Dogs | Elliot Griggs | Theatre | Young Vic Clare Studio |
Director: Caitriona Shoobridge Set designer: Basia Bińkowska |
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| Hive City Legacy | Jessica Hung Han Yun | Theatre | RoundHouse, Camden, London |
Director: Lisa Fa’alafi Set designer: Emily Harwood |
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| We Raise our Hands in the Sanctuary | Marty Langthorne | Theatre | Albany Theatre Inky Cloak |
Director: Martin Moriarty & Daniel Fluvio Set designer: Ingrid Hu |
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| As British As A Watermelon | Phil Buckley | Theatre | Switchflicker Productions |
Director: Graham Clayton-Chance Set designer: Michael Hankins |
