Photograph from The Goat (or Who is Sylvia?) - lighting design by Katharine Williams
Kyle McPhail (Billy) and John Ramm (Martin) | Photographer: Richard Campbell
Photograph from The Goat (or Who is Sylvia?) - lighting design by Katharine Williams
John Ramm (Martin) and Kyle McPhail (Billy) | Photographer: Richard Campbell
Photograph from The Goat (or Who is Sylvia?) - lighting design by Katharine Williams
Sian Thomas (Stevie) | Photographer: Richard Campbell
Photograph from The Goat (or Who is Sylvia?) - lighting design by Katharine Williams
Paul Birchard (Ross) and John Ramm (Martin) | Photographer: Richard Campbell
Photograph from The Goat (or Who is Sylvia?) - lighting design by Katharine Williams
John Ramm (Martin) and Sian Thomas (Stevie) | Photographer: Richard Campbell

The Goat (or Who is Sylvia?)

by
Edward Albee
with Katharine Williams as Lighting Designer

Venue:

Company:

Director:

Set designer:

Dates: 
17/04/2010 to 08/05/2010

Show type:

Production photographs

Photograph from The Goat (or Who is Sylvia?) - lighting design by Katharine Williams
Photograph from The Goat (or Who is Sylvia?) - lighting design by Katharine Williams
Photograph from The Goat (or Who is Sylvia?) - lighting design by Katharine Williams
Photograph from The Goat (or Who is Sylvia?) - lighting design by Katharine Williams
Photograph from The Goat (or Who is Sylvia?) - lighting design by Katharine Williams
Photograph from The Goat (or Who is Sylvia?) - lighting design by Katharine Williams
Photograph from The Goat (or Who is Sylvia?) - lighting design by Katharine Williams
Photograph from The Goat (or Who is Sylvia?) - lighting design by Katharine Williams
Photograph from The Goat (or Who is Sylvia?) - lighting design by Katharine Williams
Photograph from The Goat (or Who is Sylvia?) - lighting design by Katharine Williams
Photograph from The Goat (or Who is Sylvia?) - lighting design by Katharine Williams
Photograph from The Goat (or Who is Sylvia?) - lighting design by Katharine Williams

Press quotes

As the relationships on stage split apart and break, all four of the cast – together with an impressive and well-realised set and lighting design – create a performance that grips throughout.
Edinburgh Spotlight 23/04/2010
Jonathan Fensom’s New York apartment set, subtly but perceptively lit by Katharine Williams, provides exactly the right level of sophisticated elegance to maximise the impact of the drama.
Thom Dibdin, The Stage 22/04/2010