Photograph from Savage Beauty - lighting design by Edmund Sutton
Photographer: Patrick Dodds
Photograph from Savage Beauty - lighting design by Edmund Sutton
Photographer: Patrick Dodds
Photograph from Savage Beauty - lighting design by Edmund Sutton
Photographer: Patrick Dodds
Photograph from Savage Beauty - lighting design by Edmund Sutton
Photographer: Patrick Dodds
Photograph from Savage Beauty - lighting design by Edmund Sutton
Photographer: Patrick Dodds

Savage Beauty

by
with Edmund Sutton as Lighting Designer

Director:

Costume designer:

Sound designer:

Video designer:

Dates: 
02/10/2020 to 04/10/2020

Show type:

Designer's notes: 
Most effective staging - Chris Neville Smith's 2020 Awards

Production photographs

Photograph from Savage Beauty - lighting design by Edmund Sutton
Photograph from Savage Beauty - lighting design by Edmund Sutton
Photograph from Savage Beauty - lighting design by Edmund Sutton
Photograph from Savage Beauty - lighting design by Edmund Sutton
Photograph from Savage Beauty - lighting design by Edmund Sutton
Photograph from Savage Beauty - lighting design by Edmund Sutton
Photograph from Savage Beauty - lighting design by Edmund Sutton
Photograph from Savage Beauty - lighting design by Edmund Sutton
Photograph from Savage Beauty - lighting design by Edmund Sutton
Photograph from Savage Beauty - lighting design by Edmund Sutton
Photograph from Savage Beauty - lighting design by Edmund Sutton
Photograph from Savage Beauty - lighting design by Edmund Sutton
Photograph from Savage Beauty - lighting design by Edmund Sutton
Photograph from Savage Beauty - lighting design by Edmund Sutton
Photograph from Savage Beauty - lighting design by Edmund Sutton
Photograph from Savage Beauty - lighting design by Edmund Sutton
Photograph from Savage Beauty - lighting design by Edmund Sutton
Photograph from Savage Beauty - lighting design by Edmund Sutton

Press quotes

Whilst the Fringe itself was a very scaled-down affair, there was no sign of a let-up with Savage Beauty. A site-specific piece in a garden, it made very effective use of an upstairs balcony, a downstairs room, and projections on the opposite wall.
Chris Neville-Smith, Chris Neville-Smith's Blog on Theatre 27/12/2020
A beautifully-kept garden... Spotlights lifted small areas out of the evening darkness and gave it the appearance of some sort of grotto... Edmund Sutton’s clever lighting and Matt Eaton’s sound made us feel present at a real press conference...
Strat Mastoris, Fringe Review 04/10/2020