Photograph from Juno and the Paycock - lighting design by Peter Vincent
© Chesil Theatre | the set | Photographer: Tony Rogers
Photograph from Juno and the Paycock - lighting design by Peter Vincent
© Chesil Theatre | The stove | Photographer: Tony Rogers
Photograph from Juno and the Paycock - lighting design by Peter Vincent
© Chesil Theatre | Her son has been murdered by The Irregulars | Photographer: Tony Rogers
Photograph from Juno and the Paycock - lighting design by Peter Vincent
© Chesil Theatre | Joxer back from the boozer | Photographer: Tony Rogers
Photograph from Juno and the Paycock - lighting design by Peter Vincent
© Chesil Theatre | There goes the furniture... | Photographer: Tony Rogers

Juno and the Paycock

by
Sean O'Casey
with Peter Vincent as Lighting Designer

Venue:

Director:

Set designer:

Video designer:

Dates: 
12/03/2016 to 19/03/2016

Show type:

Production photographs

Photograph from Juno and the Paycock - lighting design by Peter Vincent
Photograph from Juno and the Paycock - lighting design by Peter Vincent
Photograph from Juno and the Paycock - lighting design by Peter Vincent
Photograph from Juno and the Paycock - lighting design by Peter Vincent
Photograph from Juno and the Paycock - lighting design by Peter Vincent
Photograph from Juno and the Paycock - lighting design by Peter Vincent
Photograph from Juno and the Paycock - lighting design by Peter Vincent
Photograph from Juno and the Paycock - lighting design by Peter Vincent
Photograph from Juno and the Paycock - lighting design by Peter Vincent
Photograph from Juno and the Paycock - lighting design by Peter Vincent
Photograph from Juno and the Paycock - lighting design by Peter Vincent
Photograph from Juno and the Paycock - lighting design by Peter Vincent
Photograph from Juno and the Paycock - lighting design by Peter Vincent
Photograph from Juno and the Paycock - lighting design by Peter Vincent
Photograph from Juno and the Paycock - lighting design by Peter Vincent
Photograph from Juno and the Paycock - lighting design by Peter Vincent