Photograph from 4000 MILES - lighting design by Wally Eastland
© Scott Treadway | End of Show | Photographer: Scott Treadway
Photograph from 4000 MILES - lighting design by Wally Eastland
© Scott Treadway | Afternoon | Photographer: Scott Treadway
Photograph from 4000 MILES - lighting design by Wally Eastland
© Scott Treadway | The Micah Story - Middle | Photographer: Scott Treadway
Photograph from 4000 MILES - lighting design by Wally Eastland
© Scott Treadway | The Micah Story - End | Photographer: Scott Treadway
Photograph from 4000 MILES - lighting design by Wally Eastland
© WALLY EASTLAND | AUTUMNAL EQUINOX | Photographer: WALLY EASTLAND

4000 MILES

by
Amy Herzog
with Wally Eastland as Lighting Designer

Venue:

Company:

Director:

Set designer:

Costume designer:

Sound designer:

Dates: 
10/10/2015 to 25/10/2015

Show type:

Production photographs

Photograph from 4000 MILES - lighting design by Wally Eastland
Photograph from 4000 MILES - lighting design by Wally Eastland
Photograph from 4000 MILES - lighting design by Wally Eastland
Photograph from 4000 MILES - lighting design by Wally Eastland
Photograph from 4000 MILES - lighting design by Wally Eastland
Photograph from 4000 MILES - lighting design by Wally Eastland
Photograph from 4000 MILES - lighting design by Wally Eastland
Photograph from 4000 MILES - lighting design by Wally Eastland
Photograph from 4000 MILES - lighting design by Wally Eastland
Photograph from 4000 MILES - lighting design by Wally Eastland
Photograph from 4000 MILES - lighting design by Wally Eastland
Photograph from 4000 MILES - lighting design by Wally Eastland
Photograph from 4000 MILES - lighting design by Wally Eastland
Photograph from 4000 MILES - lighting design by Wally Eastland
Photograph from 4000 MILES - lighting design by Wally Eastland
Photograph from 4000 MILES - lighting design by Wally Eastland

Press quotes

Stage lighting is usually best when not noticed, as was most of the work of Wally Eastland in this show, but the exemplary work of this Asheville-born, Australian-based lighting designer was more than noted, particularly in the moonlight-over-Manhattan scene with Vera and Leo on the couch.... continue reading
JIM CAVENER, Asheville Citizen-Times 12/10/2015
Wally Eastland’s lighting is extra praiseworthy. The lighting here establishes the mood of the play and shows the passage of time as day becomes night. The crisp “natural” sunlight, muted moonlight and tempered Manhattan city lights from the windows are breathtaking.
SANDY STAGGS, CarolinaCurtainCall.com 11/10/2015