, then touring
Yes
Company:
Director:
Costume designer:
Sound designer:
Dates:
18/02/2016 to 30/07/2016
Show type:
Production photographs
Press quotes
Alex Wardle's atmospheric lighting concentrates focus
Howard Loxton, British Theatre Guide 25/07/2016
The huge gothic windows show off much of Alex Wardle’s highly effective lighting design, especially the occasional appearance of a sparkling world outside, suggestive of a Narnia.
Aliya Al-Hassan, Essential Surrey 26/07/2016
The lighting, too, is some of the best I have seen in a touring production for many years – Alex Wardle’s design takes us from winter to spring, from daylight to dusk, from damp England to the heat of Greece, easily and beautifully.
Carly Halse, Female Arts 18/07/2016
The somewhat staid settings of tutorial room ... suggest a meagre canvas for Alex Wardle’s lighting opportunities. They are sublime in economy, invention and empathy. Joy’s son, ... ever enchanted by Jack’s Narnian fantasy world, momentarily escapes into it through shimmering frosted windows –... continue reading
Dan Cooper-Gavin, Brum Notes Magazine 01/06/2016
with the help of Alex Wardle’s expert lighting the focus of the action completely changes each time, all so natural and unforced
Sheila Connor, British Theatre Guide 22/02/2016
huge windows that allow for all sorts of lovely lighting effects from Alex Wardle
Tinx Newton, Surrey Life 24/02/2016
Special mention must go to Alex Wardle for some superb lighting skilfully bringing to mind the title of the piece by casting parts of the set in shadows throughout, as well as echoing some of the world of the writings of CS Lewis with some nods to Narnia.
Steve Turner, The Reviews Hub 19/02/2016
