Right in the thick of all the Mallory Knox live onstage action is lighting and set designer Jordon Cooper who has worked with the band since 2013 after initially being asked to light a one off gig … which they liked! On the previous tour, Jordon has used Robe Pointes, and for this one as a floor package he chose 24 x Robe LEDBeam 100s which were supplied by north Yorkshire based R&M Productions...
Lighting for this hi-energy extravaganza was designed by André Beekmans of The Art of Light; leading in creative light design practice in the Netherlands, working closely with scenic designers 250K for organisers Alda events. Key to making the whole concept come alive as an amazing live experience were nearly 400 Robe moving lights on Andre’s plot - 101 x BMFL Spots, 94 x Pointes, 180 x LEDBeam...
The recent U.S. leg of the current Waterfall tour campaign saw him using 26 x Robe BMFL Spots and 10 x Pointes as the primary moving lights on a rig supplied by VER together with other moving lights. The BMFLs were deployed on three overhead trusses - five upstage, seven on the mid-truss and six on the front truss, with another eight on the floor behind & wrapping around the band - all adding to a...
Chris specified 20 x Robe BMFL Blades as a major part of the lighting scheme for the Sunset Cliffs (main) Stage of the three day event, a music ‘experience’ and a specially curated ‘sound voyage’, combining rock music and some EDM with comedy, incredible food, contemporary art, great vibes … and premium amenities! Chris worked closely with co-designer Erik Parker and assembled a hand-picked team...
The show was lit by Dubai and UK based LD Steve Shipman whose design used over 120 Robe moving lights including 12 x BMFL Spots, all supplied by technical production company Solution Media. Steve had also designed lighting for the same show in London in August. The brief was to design a big colourful show with lots of WOW factors and eye-candy, so he set to work using the kit that was available...
Pawel Pajak (AKA Spider) from Fish Eye was the tour’s creative visual director – creating the lighting, video and set designs – in 2012 and 2013. This year, the organisers asked him to take on this same role again plus co-ordinate the budget and suppliers needed to realise the various stage concepts, so he became the project’s creative producer. For the main moving lights, he specified over 100...
Lawrence utilised Robe BMFL Spots for the first time, 16 of which were provided by Leeds based Zig Zag Lighting, together with another 52 Robe moving lights - 20 x Pointes, 22 x LEDWash 600s and 10 x 600E Spots. Zig Zag, was one of the first rental companies to invest in the fixtures. Lawrence’s show is full of big, bold, loud, hard-edged rock-out looks, for which BMFLs are absolutely bang-on to...
Lighting for the three Brazilian dates in Rio de Janeiro, Sao Paulo and Porto Alegre was supplied by leading Latam rental company LPL who are based in Sao Paolo … and featured a total of 137 Robe ColorSpot and ColorWash 2500E ATs. This was a continuation of the ongoing 2014-15 world tour which had visited North America, Korea, Japan, Australia, New Zealand and Europe. The band wanted their hugely...
The tour runs for five weekends in the U.S. over October and is based on the concept of playing smaller and more intimate spaces on the touring circuit, allowing Lambert – known as a great communicator – to be close to her already loyal audience and reach out to potential new fans. Chris has worked with the prolific and successful star since she opened on a section of Keith Urban’s 2005 world tour...
Lighting designer Nick van Balen ensured that the spectacular lightshow fitted the sense of achievement after 15 years at the sharp end of the music business, and as a confirmed Robe advocate, included 99 x Robe fixtures on his rig – 46 x LEDWash 300s, 44 x Pointes and nine PATT 2013s – a fabulous looking vintage style fixture designed by Tim Routledge, and now being manufactured by Robe. Nick had...