| Show name | ALD Member | Type | Venue/Company | Creative Team | Opens | |
|---|---|---|---|---|---|---|
| Manor | Nina Dunn | Theatre | Littleton Theatre - Royal National Theatre | Lighting designer: Jon Clark Director: Fiona Buffini Set designer: Lez Brotherston |
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| The Seven Pomegranate Seeds | Malcolm Rippeth | Theatre | Rose Theatre Kingston |
Director: Melly Still Set designer: Melly Still |
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| Oleanna | Will Burgher | Theatre | Ustinov Studio, Theatre Royal, Bath, then touring Theatre Royal Bath Productions |
Lighting designer: Oliver Fenwick Director: Lucy Bailey Set designer: Alex Eales |
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| The Mirror Crack’d | Malcolm Rippeth | Theatre | National Centre for the Performing Arts, Mumbai |
Director: Melly Still Set designer: Richard Kent |
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| Dear Elizabeth | Jessica Hung Han Yun | Theatre | Gate Theatre |
Director: Ellen McDougall Set designer: Moi Tran |
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| My Brilliant Friend | Malcolm Rippeth | Theatre | National Theatre - Olivier |
Director: Melly Still Set designer: Soutra Gilmour |
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| Breaking the Waves | David Butler | Opera | Kings Theatre Edinburgh scottish opera |
Lighting designer: Richard Howell Director: Tom Morris Set designer: Soutra Gilmour |
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| Breaking the Waves | Neil Foulis | Opera | Kings Theatre Edinburgh scottish opera |
Lighting designer: Richard Howell Director: Tom Morris Set designer: Soutra Gilmour |
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| Captain Corelli's Mandolin | Malcolm Rippeth | Theatre | Harold Pinter Theatre |
Director: Melly Still Set designer: Mayou Trikerioti |
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| Captain Corelli's Mandolin | Malcolm Rippeth | Theatre | Curve Theatre Leicester, then touring Neil Laidlaw Productions, Rose Theatre Kingston & Birmingham Rep |
Director: Melly Still Set designer: Mayou Trikerioti |
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| The Mirror Crack’d | Malcolm Rippeth | Theatre | Salisbury Playhouse, then touring Wales Millennium Centre & Wiltshire Creative |
Director: Melly Still Set designer: Richard Kent |
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| The Model Apartment | Will Burgher | Theatre | Ustinov Studio | Lighting designer: Ben Ormerod Director: Laurence Boswell Set designer: Tim Shortall |
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| Touching The Void | James Harrison | Theatre | Bristol Old Vic, then touring Bristol Old Vic |
Lighting designer: Chris Davey Director: Tom Morris Set designer: Ti Green |
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| Our Country's Good | Tom Mowat | Theatre | Nottingham Playhouse, then touring Nottingham Playhouse & Ramps on the Moon |
Lighting designer: Mark Jonathan Director: Fiona Buffini Set designer: Neil Murray |
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| Our Country's Good | Mark Jonathan | Theatre | Nottingham Playhouse, then touring Nottingham Playhouse & Ramps on the Moon |
Director: Fiona Buffini Set designer: Neil Murray |
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| My Brilliant Friend | Malcolm Rippeth | Theatre | Rose Theatre Kingston |
Director: Melly Still Set designer: Soutra Gilmour |
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| Pink Mist | Peter Harrison | Theatre | Bristol Old Vic, then touring Bristol Old Vic |
Director: John Retallack and George Mann Set designer: Emma Cains |
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| The Revenger's Tragedy | Mark Jonathan | Theatre | Nottingham Playhouse Nottingham Playhouse |
Director: Fiona Buffini Set designer: Neil Murray |
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| Good Canary | Malcolm Rippeth | Theatre | Rose Theatre Kingston |
Director: John Malkovich Set designer: Pierre-François Limbosch |
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| The Duchess of Malfi | Mark Jonathan | Theatre | Nottingham Playhouse |
Director: Fiona Buffini Set designer: Neil Murray |
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| Time for the Good Looking Boy | Katharine Williams | Theatre | Gulbenkian Theatre, Canterbury Box Clever Theatre |
Director: Iqbal Khan |
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| The Buzz | Katharine Williams | Theatre | Schools tour, then touring Box Clever Theatre |
Director: Michael Wicherek Set designer: Lucien Mansell |
