Lighting Designer Jane Cox shares her thoughts on “Color and Light," as well as a few of her lighting techniques after working on "Sunday in the Park with George" at the Guthrie Theater.
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Lighting Designer Jimmy Lawlor shares the vibrant sunrise and sunset color palettes he used in his design for a production of "Picnic" at James Madison University.
Rosco's own Matt Pagliaro tells how he used Miro Cube 4C units to enhance his rock and roll lighting design for a community theatre production of "Rock of Ages."
Rosco's Margie Heymann shares her memories about legendary lighting designer Tharon Musser and the impact she had on stage lighting and on Rosco.
Over 20 Rosco X24 Effect Projectors are installed inside Manhattan's SeaGlass Carousel to project a shimmering water effect that envelops its riders in a whirling underwater experience.
Acclaimed lighting designer Susan Hamburger describes five different color-techniques she employs to enhance her designs for dance productions.
A lighthearted, photographic journey from lighting designer Steve Woods who traveled to Paris, along with his trusty roll of gel sheets, to Paris to light a show.
Lighting designer Zach Burgess describes how he was able to use Roscolux color filters to bring the magical world of Narnia to life for a production of "The Lion, the Witch and the Wardrobe."
Lighting designer Jordan Green created engaging lighting effects for the musical "Dzsungel Könyve" (The Jungle Book) using gels, gobos and a little fog.
A lighting designer used different Rosco color filters to portray the multiple alter-egos of actress Gena Rowlands in a dance piece entitled "Gena, Gena!"